Hollywood’s writers and actors are on strike

Hollywood’s writers and actors are on strike

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    Emma Roth

    Jul 14

    Emma Roth

    The unions of Hollywood are trying to save it from itself

    An image showing the SAG-AFTRA logo

    Illustration by William Joel / The Verge

    Fran Drescher, SAG-AFTRA president and the creator of the iconic Fran Fine, stepped up to the microphone, vibrating with fury. She was there with a small group of SAG-AFTRA members to announce their first strike since 1980. “The eyes of the world and particularly the eyes of labor are upon us,” Drescher said. “The gravity of this move is not lost on me, or our negotiating committee, or our board members who have voted unanimously to proceed with a strike.”

    This strike is different. It’s far more complicated than just wanting a bigger cut of the hit films and TV shows that actors and writers helped create. A rapid shift toward streaming — coupled with the existential threat posed by AI — has created a canyon between what Hollywood writers and actors want and what the country’s largest media companies are willing to give. As Drescher so bluntly puts it: “You cannot change the business model as much as it has changed and not expect the contract to change too.”

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  • The Chosen is reportedly still shooting during the SAG strike because it’s a ‘truly independent’ production

    While the Screen Actors Guild and Writers Guild of America’s ongoing labor strikes have brought production on most of Hollywood’s movies and shows to an indefinite stop, filming on the fourth season of The Chosen — Dallas Jenkins’ historical drama series about Jesus Christ — is reportedly continuing because it is not associated with the Alliance of Motion Picture and Television Producers.

    Deadline — the entertainment industry trade that recently came under fire and subsequently apologized for aggressively misrepresenting an actor’s thoughts about the strike — reports that SAG-AFTRA has granted The Chosen an exemption allowing it to keep shooting its forthcoming fourth season due to its being a “truly independent” production.

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  • Wes Davis

    Jul 15

    Wes Davis

    More details on striking actors’ demands have emerged.

    The Screen Actors Guild went on strike over major studios’ refusal to meet their demands for a two percent cut of streaming revenue and a 230 percent increase in foreign streaming residuals, among others, according to Variety.

    On studios’ use of generative AI and actors’ digital likenesses, Variety writes:

    The union wants to require that a performer has to consent to any use of their performance to train an AI system. The AMPTP would accept that for AI training used to alter or recreate that performer’s likeness. But according to Crabtree-Ireland, the AMPTP would give studios carte blanche to train AI systems to create “synthetic” performers, or for other purposes.

    SAG-AFTRA also wants studios to get union consent on individual uses of AI, which the studios have refused to grant. There is also the dispute over background actors.

  • Mia Sato

    Jul 14

    Mia Sato

    Media execs haven’t learned a thing from these AI tests

    An illustration of a woman typing on a keyboard, her face replaced with lines of code.

    Image: The Verge

    Over the last eight months, disparate segments of the public have clamored to integrate generative AI software like OpenAI’s ChatGPT into their daily lives — and especially into their work.

    Everyone from doctors and online marketers to students and tennis announcers is experimenting with bringing AI tools into the fold. Aspiring millionaire spammers are using chatbots to speed up their junk generation, while artists are using AI art tools like Midjourney to beat out human competition. At least one lazy lawyer tried — and failed — to cut down on the research they needed to do. The promise of maximizing output and saving time is driving much of the “experimentation.”

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  • A real-time reaction to the actors’ strike.

    Two out of the big three Hollywood labor unions are on strike, citing streaming and AI as major issues, and actors are starting to picket offices for companies like Warner Bros., Netflix, and Amazon. This screengrab from CNBC captures the initial reaction of Wall Street.

  • Actors say Hollywood studios want their AI replicas — for free, forever

    Annie Murphy in Black Mirror

    The AMPTP proposal will sound familiar to Black Mirror fans.
    Image: Netflix

    During today’s press conference in which Hollywood actors confirmed that they were going on strike, Duncan Crabtree-Ireland, SAG-AFTRA’s chief negotiator, revealed a proposal from Hollywood studios that sounds ripped right out of a Black Mirror episode.

    In a statement about the strike, the Alliance of Motion Picture and Television Producers (AMPTP) said that its proposal included “a groundbreaking AI proposal that protects actors’ digital likenesses for SAG-AFTRA members.”

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  • SAG-AFTRA goes on strike at midnight tonight

    SAG-AFTRA logo

    Image: SAG-AFTRA

    After weeks of unsuccessful negotiations between the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) and the Alliance of Motion Picture and Television Producers (AMPTP), the union representing about 160,000 of the entertainment industry’s American laborers will begin striking at midnight tonight.

    This afternoon, SAG-AFTRA president Fran Drescher and chief negotiator Duncan Crabtree-Ireland announced that the union’s national board has unanimously voted to go on strike in direct response to the AMPTP’s refusal “to offer a fair deal on key issues essential to protecting the livelihoods of working actors and performers.”

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  • Emma Roth

    Jul 13

    Emma Roth

    Bob Iger on writers’ strike: “It’s very disturbing to me.”

    In an interview with CNBC, the Disney CEO called the ongoing writers’ strike “disruptive,” and says it’s not helping the industry recover from the covid pandemic:

    There’s a level of expectation that they have, that is just not realistic. And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.

    Hollywood writers have been on strike for over two months now, and they could soon be joined by actors across the industry as negotiations between SAG-AFTRA and the AMPTP falter.

  • Emma Roth

    Jul 12

    Emma Roth

    Tony Gilroy says he doesn’t “have any idea” what Andor’s audience is.

    That’s all thanks to the way streaming services like Disney Plus keep their viewership data under wraps, the Andor showrunner tells The Wrap. It’s also one of the reasons why Hollywood writers are on strike:

    One of the central issues of this entire labor experience is that I don’t have any idea what the audience is… So I wish I knew how many people watched, I wish I knew who they were, and I’m not sure that that’s possible.

  • Hundreds of actors are ready to strike if SAG-AFTRA doesn’t secure a truly ‘transformative deal’

    SAG-AFTRA logo

    Image: SAG-AFTRA

    Ahead of SAG-AFTRA’s current labor contract with the AMPTP expiring on June 30th, hundreds of the union’s members have signed an open letter to leadership warning that they are more than ready to strike if a new deal properly addressing all of their concerns isn’t hammered out.

    Earlier this week, SAG-AFTRA president Fran Drescher and national executive director Duncan Crabtree-Ireland posted a curious video update in which they said that they couldn’t provide any real details about the union’s negotiations with the AMPTP for confidentiality reasons.

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  • Unfortunately, Secret Invasion’s AI credits are exactly what we should expect from Marvel

    A tight shot of a man’s face, which seems to be morphing into a green, reptilian version of itself. The man’s face is flanked by glowing green streaks, and the entire image is digitally-generated and made to look like an oil painting.

    A still from Secret Invasion’s opening credits sequence.
    Image: Marvel Studios

    Disney’s Marvel brand has cemented itself as a disquietingly dominant pop cultural fixture whose outsize influence on the larger entertainment industry can be seen in the way that virtually every studio is in the cinematic universe business these days. Even now, Marvel’s approach to filmmaking doesn’t always work well or resonate with audiences. But because Marvel’s one of the largest fish in the pond, decisions it makes — especially those regarding the technology behind its films and tv shows — are easy to interpret as the studio merely keeping pace with the times rather than as one of Hollywood’s giants helping to define what entertainment should look like and how it should be made.

    For the most part, Marvel’s hype-forward way of debuting new projects and then touting all the tech-driven creativity involved in their making afterward has worked in the studio’s favor. But with Secret Invasion — Disney Plus’ latest series set in the MCU — and its open use of AI-generated art, Marvel’s waded into a complicated situation where its own troubled history with VFX workers and AI’s demonstrated potential for harming human artists both make the show seem to be a concerning sign of things to come.

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  • The Directors Guild of America has ratified a new labor contract

    Directors Guild of America logo

    Image: Directors Guild of America

    The Directors Guild of America has voted to ratify a new labor contract with the Alliance of Motion Picture and Television Producers.

    On Friday evening, as the seventh week of the Writers Guild of America’s ongoing strike was drawing to a close, members of the Directors Guild of America “overwhelmingly” ratified a new labor agreement with the AMPTP that guarantees pay increases and larger residual payouts and includes some language about protections against artificial intelligence tools.

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  • Lilly Wachowski has very good reasons for voting “no” on the DGA’s deal with the AMPTP.

    The Directors Guild of America has already approved a tentative new labor contract with the Alliance of Motion Picture and Television Producers, and encouraged members to ratify it by vote.

    But ahead of the voting deadline on June 23rd, a number of directors including Lilly Wachowski have begun speaking out about why they’ve cast “no” ballots, namely: some concerning language in the proposed contract relating to “generative” AI that definitely seems like it could be exploited in nefarious ways.

    Disclosure: The Verge’s editorial staff is also unionized with the Writers Guild of America, East.

  • Spotify’s podcast future isn’t very original

    The Spotify logo on a green backdrop surrounded by pink and white graphics.

    Illustration: Nick Barclay / The Verge

    This is Hot Pod, The Verge’s newsletter about podcasting and the audio industry. Sign up here for more.

    When Spotify announced yesterday that it would lay off 200 employees from its podcast unit and combine Gimlet and Parcast into a single operation, it came as a shock to outside observers. But former and current podcast employees at Spotify have seen the writing on the wall for some time. 

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  • If it comes to it, the members of SAG-AFTRA are ready to strike.

    Should the Screen Actors Guid’s upcoming talks with the Alliance of Motion Picture and Television Producers not result in a new labor contract that both sides agree on, the entertainment labor union will be in a position to strike now that an majority of SAG-AFTRA’s members voted to authorize the move.

    As Variety notes, SAG-AFTRA’s vote to strike comes as the WGA’s ongoing strike enters its sixth week.

    Disclosure: The Verge’s editorial staff is also unionized with the Writers Guild of America, East.

  • Wes Davis

    Jun 4

    Wes Davis

    The AI and streaming provisions of a tentative Directors Guild deal fall flat with the WGA.

    Members of the Writers Guild of America spoke out against the deal, as seen in a report in Deadline. Several with membership in one or both guilds tweeted complaints that the DGA had “made a deal behind our backs” and didn’t get “close to no AI source material.”

    WGA negotiating committee co-chair Chris Keyser was quoted in another Deadline article today:

    If [AMPTP President] Carol Lombardini thinks negotiating with the DGA while we’re out on strike is some kind of trump card, she’s going to find out that her 2007-08 playbook doesn’t belong in the negotiating room; it belongs in a museum.

  • Jon Porter

    May 26

    Jon Porter

    Thunderbolts becomes latest Marvel movie to be hit by writers’ strike

    Marvel Studios Thunderbolts logo.

    Image: Disney

    Filming for Thunderbolts, the upcoming Marvel Cinematic Universe film centered around the franchise’s anti-heroes, has been delayed due to the ongoing writers strike, The Hollywood Reporter and Deadline report. Production had been due to start in the coming weeks in Atlanta, but now isn’t expected to commence until after the strike ends.

    Thunderbolts is just the latest production impacted by the ongoing Writers Guild of America strike. The union representing roughly 11,500 writers from across film, television, and more went on strike at the beginning of this month in a dispute around pay in an increasingly streaming-dominated era. The WGA is also seeking to regulate the use of generative AI in writers’ rooms.

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  • Warner Bros. Discovery apologizes for crediting writers and directors as ‘creators’ on Max

    The Max logo being displayed on a massive screen before an audience.

    A view of the stage during the Warner Bros. Discovery Upfront 2023 at the Theater at Madison Square Garden.
    Photo by Kevin Mazur / Getty Images

    Warner Bros. Discovery’s baffling (but unsurprising) decision to lump writers, directors, and producers together as nondescript “creators” in Max’s new credits section has been met with almost nothing but contempt for reasons that should be very clear four weeks into an industry-wide writers strike. Now, the entertainment giant is apologizing for the move, blaming it on technical issues and apparently working to make things right.

    In joint public statements from Writers Guild of America West president Meredith Stiehm and Directors Guild of America president Lesli Linka Glatter, both organizations lambasted Warner Bros. Discovery Wednesday afternoon for Max’s “devaluation of the individual contributions of artists.”

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  • Boston University graduates roasted the hell out of David Zaslav at their commencement ceremony

    David Zaslav speaking at Boston University’s 2023 commencement

    David Zaslav hearing the jeers of a crowd that doesn’t want him there.
    Image: Boston University

    Warner Bros. Discovery CEO David Zaslav took to the stage at Boston University’s 2023 commencement ceremony this past weekend intending to receive an honorary doctorate and to ingratiate himself with this year’s graduating students by imparting some useful wisdom. While Zaslav got his degree, his speech to BU’s students was received anything but warmly as numerous people throughout the crowd shouted him down in support of the WGA’s ongoing strike for better pay and working conditions.

    Almost as soon as a sunglasses-sporting Zaslav launched into an uninspired speech reminiscing about his own time at Boston University as a law student, people throughout the commencement ceremony crowd began booing at the 63-year-old entertainment executive and did not let up until he stopped talking almost 20 minutes later.

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  • Production on Severance and A Knight of the Seven Kingdoms: The Hedge Knight is stopping for the WGA strike

    A photo of Adam Scott in the Apple TV Plus series Severance.

    Severance.
    Image: Apple

    The Writers Guild of America’s current strike is shaping up to be a shining example of just how much power workers have when working collectively. Take, for example, the way production has been halted on Apple’s Severance and HBO’s upcoming Game of Thrones spinoff A Knight of the Seven Kingdoms: The Hedge Knight due to picketing WGA members and allies refusing to cross the line.

    Deadline reports that, in direct response to the organized demonstrations of striking writers, production on Severance’s second season in New York City and on The Hedge Knight — which is still being written — has stopped, with no clear date as to when things might ramp back up.

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  • Writers are striking and AI rights are on the table.

    The Writers Guild of America (WGA) voted to strike this morning, and though low pay is the main incentive, there’s another contentious issue: AI. The WGA wants to protect members so their work is not used by Hollywood studios to train AI tools that replace them. As Vox explains, it’s a fight that will likely be replicated across many industries in the years to come.

  • Hollywood writers are striking over low wages caused by streaming boom

    Striking Writers Rally At Time Warner Center In New York

    The 2007 writers' strike (pictured above) lost California an estimated $2.1 billion and was credited with tipping the state into a recession.
    Photo by Stephen Chernin/Getty Images

    As of today, thousands of Hollywood television and movie writers are going on strike for the first time in 15 years. 

    The Writers Guild of America (WGA) voted unanimously to strike on Tuesday after contract negotiations with the major Hollywood studios collapsed. The WGA is attempting to secure higher wages and better working conditions from the Alliance of Motion Picture and Television Producers (AMPTP) — a group representing around 350 major studios and streaming services like Netflix, Disney, Amazon, Apple, and Sony — for the thousands of movie and television writers the union represents. Picket lines are expected to form starting Tuesday afternoon.

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  • The WGA has overwhelmingly voted to authorize a strike

    The WGA logo.

    Image: The Writers Guild of America

    While contract negotiations between the Writers Guild of America and the Alliance of Motion Picture and Television Producers are still underway, the WGA’s members have just gotten one step closer to striking should this round of talks not resolve before May.

    Deadline reports that an overwhelming majority (97 percent) of the WGA’s members voted today to authorize a strike — a move that empowers the WGA West Board and the WGA East Council to call for a strike if the WGA and the AMPTP can’t agree upon a fair labor contract by May 1st. (Disclosure: The Verge’s editorial staff is represented by the Writers Guild of America East.) Of the WGA’s eligible voting members, 9,020 voted in favor of the strike authorization, while 198 opposed. In an email to members, the WGA said that the results sent a clear message and set new records “for both participation and the percentage of support in a strike authorization vote.”

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  • The Writers Guild of America likens AI-generated content to plagiarism

    The WGA logo.

    Image: The Writers Guild of America

    If you were worried that film and TV were about to become a wasteland of AI-generated dialogue, then know that the Writers Guild of America, East, is in your corner. Earlier today, Variety reported that the WGA had floated a proposal in its contract negotiations with the Alliance of Motion Picture and Television Producers (AMPTP) that would allow writers and studios to use AI tools in limited capacities. This led to much consternation from the writing community, which understandably feels under threat over the rapid adoption of AI as a writing tool.

    Notably, as we reported below, the Variety report did not acknowledge whether scripts wholly generated by AI would be allowed. Since then, the WGA has released a statement on Twitter that, while not directly countering Variety’s report, does clarify the union’s stance. “Companies can’t use AI to undermine writers’ working standards including compensation, residuals, separated rights and credits,” the Twitter thread begins.

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  • Alex Cranz

    Dec 14, 2022

    Alex Cranz

    The golden age of the streaming wars has ended

    A person examines the big wall of content.

    Image: Getty Images

    It’s over. For the last half-decade, we’ve enjoyed a golden age in entertainment. The rise of the streaming service has brought more TV and film into our homes than ever before. It’s been a joy — and sometimes a chore — to keep up with every new offering Netflix, HBO Max, Disney Plus, and the rest put before us. But over the last few months, we’ve seen a reorientation of how many of these services do business, and it’s clear that this glut of content we’ve enjoyed, for the mere cost of a monthly subscription, is about to end. Some of us are going to keenly feel the pain of that more than others.

    Before streaming changed the landscape of Hollywood, it was a very different place. It could take writers years to become showrunners, and the number of plum roles for a new star was few and far between. There was a lot of reality TV — particularly on cable — but scripted television was limited to just a handful of channels. The owners of those channels were in a brutal competition for your eyeballs, crafting prestige show after prestige show to arrest our attention. From 1999, with the premiere of The Sopranos, to somewhere in the mid-2010s, there was a Golden Age of TV.

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